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November 30, 2007

Donated conservatory for sale by local Historical Society

Anyone interested in a deeply discounted Tanglewood conservatory?

Not long ago, a client who had commissioned us for a project in San Francisco decided to sell their house overlooking the Golden Gate Bridge before the conservatory that they had ordered could be installed.

There had been difficulty obtaining a building permit because of the owners had not completed items and got a final occupancy permit for a previous renovation, so the project had been delayed for some time and now business took the owners elsewhere.

Not knowing what to do with the conservatory, a beautiful hip roof design with large Palladian windows set on a raised panel base wall, the client asked for our help in “disposing” of the conservatory.

We suggested and subsequently arranged to have the conservatory donated to the local Caroline County Historical Society, who now has the conservatory up for sale in an effort to raise money for their ongoing restoration projects.

Denton, Maryland, hometown of Tanglewood Conservatories, is a historic hamlet on Maryland’s Eastern shore. It is in this area that the first settlements in this country began in the early 1600’s.

Check out the May 2007 issue of National Geographic. The cover story on the “Real Jamestown Story” took place right here, in and around the beautiful Chesapeake Bay region. Our locale is full of early American and Native American Indian historic sites, from Kent Island to Cambridge, Maryland.

Caroline County was also a major center of activity for the Underground Railroad.

The Historical Society has numerous ongoing projects ranging from site excavations to the moving and complete restoration of significant buildings dating from that period.

Director of the Caroline County Historical Society, Mr. Jok Walsh, says that the society will accept all offers and indicates that the conservatory might be purchased for a fraction of the cost paid by the original buyer. Anyone interested should contact him at 410 479 4188.

Additional information and drawings of the actual conservatory itself is also available from us. Please call Alan Stein or Nancy Virts.

This is a great opportunity for someone. Wouldn’t it make a great holiday gift?
Here are some basics:

Size: Approximately 13′ 6″ x 21′ 3″ rectangular plan with hip roof.
Product type: PRIMED WOOD walls (interior and exterior), color: OFF WHITE.
PRIMED WOOD roof structure, color: OFF WHITE.
EXTRUDED-ALUMINUM roof glazing system, color: WHITE.
PRIMED WOOD DIVIDED LIGHT windows and doors.
Materials: HONDURAS MAHOGANY window frames, window sash, exterior trim.
HONDURAS MAHOGANY roof structure.
POPLAR interior applied trim.
Roof glass: Commercial-grade, insulated, dual sealed units.
TINTED, TEMPERED outboard, LOW E, LAMINATED inboard
Wall glass: CLEAR ANNEALED outboard, LOW E ANNEALED inboard
ALL DOORS AND SIDELIGHTS TO BE TEMPERED GLASS PER CODE.
Doors: ONE (1) CUSTOM 3′ 0″ wide x 8′ 6″ high OUTSWING single door.
hardware: MULTI-POINT GU locksets with brass lever handles, standard GU finishes.
hinges: 4″ x 4″ EXTRUDED SOLID BRASS.
POLISHED BRASS finish.
threshold: SOLID BRASS with OAK interior saddle.
screen doors: NONE
Operable windows: EIGHT (8) AWNING windows with removable insect screens.
hardware: SOLID BRASS push bars and sash lock handle.
finish: SATIN brass
insect screens: WHITE color aluminum frame with charcoal color fiberglass screen cloth.
Skylight vents: ELECTRONICALLY operable with auto rain sensors.
color: MOTOR COVERS to be WHITE.
Low voltage wiring to motors and electrical hookups are by others.
110V wiring to switches by others.
An Non-Interruptible Power Supply unit to be supplied by others is recommended.
insect screens: WHITE aluminum frame with charcoal color fiberglass screen cloth.
Ridge cresting: Cast Aluminum, ACORN style.
Tie rods: TWO (2)- 1/2″ steel rod with decorative center rosette.
Finials: Exterior finials.

November 24, 2007

Continued from conservatory design approaches

Filed under: Conservatory Projects — Tags: — Alan @ 3:45 pm

Continuation of last entry:

You mentioned the differences between designing a conservatory that will be freestanding versus one that will be attached a house.

From a design standpoint, a freestanding building needs to be much more of a “sculpture in a garden”. It will usually be a focal point of some sort and needs to be able to hold its own against its backdrop. Positioning of the room is important. How it relates to its surroundings, natural and man made and what the negative space that is created looks like, are questions that need to be carefully considered.

In this case, the side of the conservatory serves as one boundary of an adjacent hedge maze and is the terminus of a stone path that begins at an iron gate at the far end of a manicured lawn and winds through a small wood to the conservatory front door. The conservatory is set quite away from the house though it is clearly visible from both the front and the back yards.

A freestanding conservatory also can be more ornamental, or sparse (the opposite design direction), so that it has the strength to hold its own in the overall design composition and doesn’t fade away. It can be much less related to the existing home and can actually be designed to be very different so that it stands out even more.

From a construction standpoint, a freestanding conservatory can have extra challenges. It can sometimes be more difficult to accommodate the HVAC system which usually might be tucked into the basement of the adjacent house.

The solution for this is to either build a fairly substantial basement or crawlspace under the conservatory itself or to attach a small “addition” building to the room to house the mechanical elements. Sometimes we design this small “addition” to house a bathroom as well as the mechanical stuff although we once put in a wine cellar.

Hope this is helpful.

November 22, 2007

conservatory design approaches

Filed under: Conservatory Projects — Tags: — Alan @ 11:18 am

Recently, someone asked me about the different design approaches that Tanglewood might use when approaching a new project and why they can be so different. I’d like to share my reply below:

Lynn,

I am happy you asked about the variety of the stylistic approaches we take. This is something we take very seriously as we want to be sure we don’t allow ourselves to get comfortable using any one idiom, overwriting our clients (sometimes subtle) directions or sacrificing design integrity for production/manufacturing efficiencies.

Our team, designers, builders and managers, many of whom have been with us since our inception, is composed of individuals who feed on challenging the “box”.

We’ve been known to “invent” whole new construction systems just to achieve a customer’s concept – without allowing ourselves to compromise.
Our goal, and hopefully we achieve some success in this, is to be a reflector for our clients vision, needs and dreams.

We try to listen to them very carefully then use our architectural, manufacturing and construction skills and our creativity to produce a synthesis which is really theirs, not ours.

I know that a lot of companies espouse the same concepts, but it can sometimes be no more than marketing gibberish.

Anyway, enough philosophizing. Hopefully our results speak for themselves.
About #11 project which you’ve asked about:

Project Scope and Objectives
The scope of the project included the design, pre-fabrication and on site erection of a free-standing conservatory spa room at an estate home.

Primary objectives of the clients were:
1. The room was conceived to enclose an in ground spa as well as a formal seating area.
2. The room had to accommodate the clients desire to provide a space for viewing TV.
3. Be a whimsical, private getaway from the clients busy lives.
4. The new room had to be a distinctive feature within the garden landscape, and relate to the main house a stones throw away.

Project Challenges
1. To design a small, whimsical building that would accommodate various very different functions within a detached “conservatory” structure.
2. Design the building to harmonize with the existing residence.

Project Solutions
Sq. Footage 295 S.F. freestanding garden room spa.
1. The building uses brick matched to the existing home and echoes some of it’s design features such as the gable roof over the entry way and the curvilinear entry steps.
2. We did not try to make separate spaces for the formal seating and/or the informal spa but chose instead to let them share one large room and embrace this unique juxtaposition.

To be continued… please see next blog entry.

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